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Nicolas Poussin La Translation miraculeuse de sainte Rita de Cascia ou La Vierge protegeant Spolete oil painting


La Translation miraculeuse de sainte Rita de Cascia ou La Vierge protegeant Spolete
Painting ID::  96106
Nicolas Poussin
La Translation miraculeuse de sainte Rita de Cascia ou La Vierge protegeant Spolete
1633 Medium oil on panel Dimensions 48 x 37 cm cyf

   
   
     

Nicolas Poussin The Sacred Family in a landscape oil painting


The Sacred Family in a landscape
Painting ID::  42031
Nicolas Poussin
The Sacred Family in a landscape
mk166 Toward the middle of the 17th century I Wave on cloth 94x12cm Museum the Louvre, Paris

   
   
     

Nicolas Poussin The Virgin of the Pilar and its aparicion to San Diego of Large oil painting


The Virgin of the Pilar and its aparicion to San Diego of Large
Painting ID::  42049
Nicolas Poussin
The Virgin of the Pilar and its aparicion to San Diego of Large
mk166 I Wave on Cloth 301x242cm Museum of the Louvre, Paris

   
   
     

Nicolas Poussin Eats in Arcadia ego oil painting


Eats in Arcadia ego
Painting ID::  42701
Nicolas Poussin
Eats in Arcadia ego
MK169 ca. 1630 Cloth 101x82cm

   
   
     

Nicolas Poussin The Saint Family on the stair oil painting


The Saint Family on the stair
Painting ID::  42702
Nicolas Poussin
The Saint Family on the stair
MK169 1648 Shut down 72.4x111.7cm Cleveland Museum or Art

   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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     | Jose Legarda | Adolph Tiedeman | adriaen van ostade |


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